Relative difficulty: Medium
Word of the Day: É-D-O-U-A-R-D MANET (27A: Artist whose full name anagrams to A MAN DETOURED) —
Édouard Manet (UK: /ˈmæneɪ/, US: /mæˈneɪ, məˈ-/; French: [edwaʁ manɛ]; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
[Un bar aux Folies Bergère, 1882] |
Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) or Olympia, "premiering" in 1863 and '65, respectively, caused great controversy with both critics and the Academy of Fine Arts, but soon were praised by progressive artists as the breakthrough acts to the new style, Impressionism. Today too, these works, along with others, are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. (wikipedia)
Notes:
- 1A: Juice provider (CHARGER)— me, looking at the first clue of the puzzle at 4am: "uh ... JUICER?"
- 27A: Artist whose full name anagrams to A MAN DETOURED (MANET) — such a bizarre way to clue him, but it's a bizarreness I like. You've gotta extract a last name from a full-name anagram. Anagram extraction! I pulled MANET out pretty easily, but then thought "wait, those other letters don't spell out CLAUDE" (that's because CLAUDE is the first name of MONET, not MANET, which I should know by now). This MANET is in my eyeline (in refrigerator magnet form) every morning as I write this blog:
|
- 12D: First pitcher, maybe (ICE WATER) — I see that you are trying to do that "identical sequential clue thing" with this clue and the next Down clue, 13D: First pitcher (STARTER), but it really only works for one of the clues (i.e. STARTER) (this is extremely typical with the "identical sequential clue thing," which is why it's a gimmick that should be used sparingly). The "First" part doesn't quite make sense for the ICE WATER pitcher. If you're talking about a pitcher of ICE WATER that might be brought out "first" at a restaurant ... I dunno ... "First" implies that there are going to be other, different pitchers to follow, and unless you are in a restaurant called "Pitchers" where all items on the menu come in pitcher form, I don't think more pitchers are likely. Do people drinking pitchers of beer typically open with a pitcher of ICE WATER? Maybe that's it. I admire the ambition and weirdness here, but when you have to lawyer your way to a defense of the clue, it's probably not a clue you should use.
- 21D: Eucharist plate (PATEN) — I knew this. How did I know this? Moreover, why has the word PYX just entered my brain? [Looks it up] Ha! PYX is the "small round container used in the Catholic, Old Catholic, Lutheran and Anglican Churches to carry the Eucharist, to the sick or those who are otherwise unable to come to a church in order to receive Holy Communion" (wikipedia). Hurray partial memory!
- 52D: This is what it sounds like when doves cry (COO) — now this is a perfect clue. Absolutely NO NOTES:
- 32A: Digital art? (PAINT-BY-NUMBERS*)— at first I was mad because I assumed the crossword was doing its whole "'digital' = related to the fingers, tee-hee, aren't we clever?" thing, and I was like "finger painting and PAINT-BY-NUMBERS* are not the same thing!" Well, of course they're not. The "digital" here refers simply to the numbers (or "digits") ... by which one ... paints. Assuming "digital" + "?" = finger-related ... that's peak crossword brain.
- 42D: Scrolls from right to left? (TORAH) — because Hebrew is read right to left, as are Arabic and Persian. Together, these are the "most widespread RTL writing systems in modern times" (wikipedia).
- 49A: Beethoven's "Hammerklavier," for one (SONATA)— lucked out here. I probably would've put together SONATA pretty easily anyway, but it helped that I've been listening to this specific SONATA a lot in the past month, in a new recording by Marc-André Hamelin. Enjoy.