Constructor: Stanley Newman
Relative difficulty: Easy-Medium
THEME: four-syllable clues — Only theme answer = 20A: The theme, part 1 (EVERY ONE OF THE / CLUES HAS EXACTLY / FOUR SYLLABLES)
Word of the Day: RALLYE (48D: Public-road race) —
Stan is a fine editor (Newsday) and a veteran constructor, but I don't understand this. Who cares if a clue has two or three or seven syllables? How hard is it to write four-syllable clues? I mean, people do entire puzzles where the first letters of clues are just one letter, or where the first letters of clues, in order, spell out elaborate crap. Four syllables? I would think any good constructor could do that for most any grid. Also, this grid is not demanding, and the fill is just OK. Nothing exciting or special. And given that the backbone of the whole puzzle is just … instructions, I fail to see where the interest lies. Why is this interesting? Is this fun? I certainly don't find it bad or offensive, but its reason for existing—why anyone might think this an entertaining idea—is totally beyond me.
This one played pretty easily for me, but then again I had just finished a much more intricate, much harder puzzle (this week's Fireball—a barnburner), so piecing this together felt like child's play. There were a few hang-ups. Wanted LIFE VESTS then LIFE BOATS for LIFE BELTS (which … I don't really know what those are, but I can imagine). NORA (47A: Mrs. James Joyce) and RALLYE (48D: Public-road race) and AMANA (41D: "Spillsaver" brand) were not easy for me to pick up, so coming down out of the middle into the SE was tough. Also, I had TEN- at 37D: Break time, perhaps, but couldn't conceive of writing out O'CLOCK, so remained baffled for a bit. Had ROUE for RAKE (68A: No gentleman). Would never have thought of a scratch-off layer as made of LATEX (though I'm not doubting the science) (3D: Scratch-card layer). Thought 32A: French department was going to be a generic word for the category rather than a *specific* department. Considered RYDER for FEDEX (22D: Golf cup sponsor). None of this is that remarkable or interesting. Just your ordinary snags. Really wish there were something juicy to talk about here, but I don't see it.
The NYT feels like it's in a pretty bad rut at the moment. Monday's puzzle aside, it seems like all the really good work is coming out elsewhere. Hope that turns around soon.
Signed, Rex Parker, King of CrossWorld
Relative difficulty: Easy-Medium
THEME: four-syllable clues — Only theme answer = 20A: The theme, part 1 (EVERY ONE OF THE / CLUES HAS EXACTLY / FOUR SYLLABLES)
Word of the Day: RALLYE (48D: Public-road race) —
Rallying, also known as rally racing, is a form of auto racing that takes place on public or private roads with modified production or specially built road-legal cars. This motorsport is distinguished by running not on a circuit, but instead in a point-to-point format in which participants and their co-drivers drive between set control points (special stages), leaving at regular intervals from one or more start points. Rallies may be won by pure speed within the stages or alternatively by driving to a predetermined ideal journey time within the stages. [I have no idea why the French spelling, with the terminal "e," is (sometimes) retained …] (wikipedia)
• • •
Stan is a fine editor (Newsday) and a veteran constructor, but I don't understand this. Who cares if a clue has two or three or seven syllables? How hard is it to write four-syllable clues? I mean, people do entire puzzles where the first letters of clues are just one letter, or where the first letters of clues, in order, spell out elaborate crap. Four syllables? I would think any good constructor could do that for most any grid. Also, this grid is not demanding, and the fill is just OK. Nothing exciting or special. And given that the backbone of the whole puzzle is just … instructions, I fail to see where the interest lies. Why is this interesting? Is this fun? I certainly don't find it bad or offensive, but its reason for existing—why anyone might think this an entertaining idea—is totally beyond me.
This one played pretty easily for me, but then again I had just finished a much more intricate, much harder puzzle (this week's Fireball—a barnburner), so piecing this together felt like child's play. There were a few hang-ups. Wanted LIFE VESTS then LIFE BOATS for LIFE BELTS (which … I don't really know what those are, but I can imagine). NORA (47A: Mrs. James Joyce) and RALLYE (48D: Public-road race) and AMANA (41D: "Spillsaver" brand) were not easy for me to pick up, so coming down out of the middle into the SE was tough. Also, I had TEN- at 37D: Break time, perhaps, but couldn't conceive of writing out O'CLOCK, so remained baffled for a bit. Had ROUE for RAKE (68A: No gentleman). Would never have thought of a scratch-off layer as made of LATEX (though I'm not doubting the science) (3D: Scratch-card layer). Thought 32A: French department was going to be a generic word for the category rather than a *specific* department. Considered RYDER for FEDEX (22D: Golf cup sponsor). None of this is that remarkable or interesting. Just your ordinary snags. Really wish there were something juicy to talk about here, but I don't see it.
The NYT feels like it's in a pretty bad rut at the moment. Monday's puzzle aside, it seems like all the really good work is coming out elsewhere. Hope that turns around soon.
Signed, Rex Parker, King of CrossWorld